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Codo a codo: parejas de artistas en México  Elbow‐to‐Elbow: Artistic Couples in Mexico  María Claudia André  En-claves del Pensamiento, vol. VII, núm. 14, julio-diciembre, 2013, pp. 189-193. Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Ciudad de México Distrito Federal, México En-claves del Pensamiento, ISSN (Versión impresa): 1870-879X [email protected] [email protected] Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Ciudad de México México CODO A CODO: PAREJAS  DE ARTISTAS EN MÉXICO COMISARENCO MIRKIN!"#$%&!"'(()*+!"Codo a codo: parejas de artistas en México+" ,-.$'(!"/%$01)2$*&*"341)(&51)$'&%&!"6789+ L (2"*$1'$%:101"&);<':=(2!";12;$5(%$(2">"1%;)10$2;&2"?:1"$%;1@)&%"Codo a codo  '&A;:)&%"=&2"0$4)&%;12"B$2;()$&2"*1"0$*&"*1"&=@:%&2"*1"=&2"A&)1C&2"5D2"E&­ 5(2&2"*1"&);$2;&2"*1=",-.$'("A(2)10(=:'$(%&)$("B&2;&"1="A)121%;1+"F&*&":%(" *1"=(2";)&4&C(2"%(2"$%0$;&"&")1G1.$(%&)"2(4)1"1="A)('12(">"=&"*$%D5$'&"?:1" 1.$2;1" 1%" =&" ')1&'$H%" &);<2;$'&" *12*1" :%&" A1)2A1';$0&" $%%(0&*()&" 1" $%;1)­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­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n-Claves14-book.indb 189 EN­CLAVES del pensamiento!"&M("P33!"%L5+"8Q!"C:=$(R*$'$154)1"6789!"AA+"8STR8T9+ 04/11/13 14:54 8T7" ,&)<&"F=&:*$&"O%*)- A&2$H%!"'(%E()5&%"=&"'(25(0$2$H%">"1.A)12$H%"&);<2;$'&"*1":%"$%*$0$*:(+"U2;&" multiplicidad  se  encuentra  estrechamente  relacionada  con  el  hecho  que  los  &:;()12"*1"=(2"1%2&>(2"A)('1*1%"*1"*$2;$%;&2"*$2'$A=$%&2">"*$E1)1%;12"N=$&'$(%12" &'&*-5$'&2">"':=;:)&=12+" F&*&":%("*1"=(2"1%2&>(2"$%'=:>1"$%E()5&'$H%"4$(@)DN'&"*1"=(2"A)(;&@(%$2;&2" 1%"=&"?:1"21"*12')$41"'H5("21"$%$'$&!"*12&))(==&">!"1%"&=@:%(2"'&2(2!"'(%'=:>1" =&")1=&'$H%"&E1';$0&"1%;)1"=&2"A&)1C&2+"P&)$(2"1%2&>(2"21")15(%;&%"&"12(2";:)­ 4:=1%;(2">"A)(5$2()$(2"&M(2"':&%*("1="A&%()&5&"A(=<;$'("*1="A&<2"21"A)12;&4&" '(5("E:1%;1"*1"$%2A$)&'$H%"A&)&"1="*12&))(==("*1"%:10&2"A)(A:12;&2"&);<2;$'&2!" 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En-Claves14-book.indb 190 04/11/13 14:54 V121M&" 8T8 1"$%G:1%'$&"*1"\$=$&"F&))$==(">",&%:1="W1=@:-)1K"1%"1="&);1"&42;)&';("1%",-.$­ '(+"J;)&"5$)&*&"&=";15&"12"1="?:1"&A();&"^&;$&%&"W=()12"1%"2:"4$(@)&E<&"<%;$5&" 2(4)1"\(=&">"_1)5D%"F:1;(!"*(2"N@:)&2"?:$1%12"21"&'1)'&)(%">"1%;1%*$1)(%"1=" 5(*1)%$25(!"*12*1":%&"A1)2A1';$0&">":%"12;$=("A)(A$(+ \(2"'<)':=(2"*1"&5$@(2!"'(=&4()&*()12">"&5&%;12"'(5("1.&5$%&%"&=@:%(2" &);<':=(2!"E:1)(%"E:%*&51%;&=12"1%"1="*12&))(==("&);<2;$'(">"1=")1'(%('$5$1%;(" *1"12;&2"N@:)&2"$'H%$'&2"*1="&);1"51.$'&%(+"O*)$&%&"b&0&=&!"A()"1C15A=(!"A)(­ A(%1"&",&)<&"3K?:$1)*(">"&"V:N%("^&5&>("'(5("5(*1=(2"*1"=&2"*$%D5$'&2"*1" A(*1)"1%"C:1@("?:1"A)1*(5$%&4&%"1%;)1"=&2"A&)1C&2"*1"&);$2;&2"B1;1)(21.:&=12" 1%"121";$15A("c*:)&%;1"1="':&="-="A$%;&4&!"1==&"A(2&4&+"U%"12;&"=<%1&"*1"&)@:­ 51%;&'$H%!"1==&"21)<&"2:"5:2&">"*$2'"-=!"2:"5&12;)(+"U="?:1"=&2"&);$2;&2" 2&')$N'&)&%"2:";$15A("E:1)&"*1="'&4&==1;1"A&)&"A(2&)"1)&"&=@("2(4)11%;1%*$*(d+8  ^&=12"1.A1';&;$0&2"21"1.;$1%*1%"&"(;)(2"12A&'$(2"*1"')1&'$H%!"'(5("=&"E(;(@)&­ E<&+"U%"2:"12;:*$("2(4)1"U*e&)*"f12;(%">"^$%&",(*(;;$!"[()5&",&'<&2"10&=L&" =&"A1)'1A'$H%"*1"=&"')<;$'&"?:1"0&=()&"&"f12;(%!"'(5(":%"@)&%"&);$2;&"'(%":%&" 5&)'&*&";)&>1';()$&`"%("(42;&%;1!"&",(*(;;$"21"=&")1'(%('1"A)$5()*$&=51%;1"A()" 2:"0$*&";:5:=;:(2&"("A()"2:")1=&'$H%"'(5("&=:5%&">"&5&%;1"*1"f12;(%+"F&)(=$%&" _(%KD=1K"_&)'<&";&54$-%"1.&5$%&"=&2"'(%;)$4:'$(%12"12;$=<2;$'&2">";15D;$'&2"1%" A&)1C&2"*1"&);$2;&2+"U%E('D%*(21"1%"=&"A)(*:''$H%"E(;(@)DN'&"*1"\(=&">",&%:1=" g=0&)1K"a)&0(!"*15:12;)&"?:1"=(2"*$1K"&M(2"*1")1=&'$H%"*1C&)(%":%&"5&)'&*&" $%G:1%'$&"1%"=&"5&%1)&"*1"A=&25&)!"%("2H=("2:"0$2$H%"&);<2;$'&"2$%(";&54$-%"2:" A1)'1A'$H%"*1="(;)(">"*1"2<"5$25(2+" O=@:%(2"1%2&>(2!"'(5("1="*1"X&)1%"F()*1)("V1$5&%!"%(2")101=&%":%&"'&)&" *$2;$%;&" *1" =&" *$%D5$'&" *1" A&)1C&" >" *1=" A)('12(" *1" ')1&'$H%+" Z:" &);<':=(" %(2" &A)(.$5&"1=":%$01)2("<%;$5("*1"X&;$">"Y(2-"h()%&!"*(2"@)&%*12"&);$2;&2!"':>&" *$%D5$'&" ')1&;$0&" =(2" ==10&" &" $%':)2$(%&)" 1%" :%&" &5A=$&" 0&)$1*&*" *1" 51*$(2" 0$2:&=12"'(%"=(2"?:1")1@$2;)&%"2:2"$5A)12$(%12"*1"=&"0$*&"'(;$*$&%&+" F&*&":%&"*1"12;&2"B$2;()$&2"*1"0$*&"A(%1"*1"5&%$N12;("=&")$?:1K&"$%;1)*$2'$­ A=$%&)$&"*1="&);1"1%")1=&'$H%"'(%"(;)&2"D)1&2"*1"12;:*$(!"1%"A&);$':=&)!"=&"&%;)(A(­ =(@<&">"=&"=$;1)&;:)&+"U=";1.;("*1"^1)1"O)'?">"O%*)1&2"[1:E1);"&4()*&"=&")1=&'$H%" <%;$5&"*1"O=$'1"V&B(%">"f(=E@&%@"]&&=1%">"2:"E&2'$%&'$H%"A()"=&"5&@$&"*1"=&2" ':=;:)&2"A)1'(=(54$%&2+"3%;1)-2"?:1"'&)&';1)$K&"=&"A$%;:)&">"=&"A(12<&"*1"V&B(%" >"=&2"$%012;$@&'$(%12"12;-;$'&2">"A$';H)$'&2"*1"]&&=1%+"/%&"5$25&"&;)&''$H%"12"=&" ?:1"()$@$%&=51%;1")1L%1"&"*(2"@)&%*12"N@:)&2"*1"=&"=$;1)&;:)&"51.$'&%&i"J';&0$(" ]&K">"U=1%&"_&))(+",&)@("U'B1%41)@"1E1';L&":%"1.'1=1%;1"&%D=$2$2"*1="*$D=(@(" ;D'$;("1%"=&2"*$E1)1%;12"$%;1)A)1;&'$(%12"*1"&54(2"12')$;()12"1%";()%("&"=&"N@:)&" *1"=&",&=$%'B1">"&="5$;("*1"=&"51.$'&%$*&*+" 8 " #$%&" F(5$2&)1%'(" ,$)I$%!" '(()*+!" Codo  a  codo:  parejas  de  artistas  en  México+" ,-.$'(!" /%$01)2$*&*"341)(&51)$'&%&!"6789!"A+"8Sj+ EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193. En-Claves14-book.indb 191 04/11/13 14:54 8T6" ,&)<&"F=&:*$&"O%*)- Z$"4$1%"=&"5&>()<&"*1"12;&2"A1)2(%&=$*&*12"21"1%':1%;)&":%$*&"A()"2:"&5()" 5:;:("&2<"'(5("A()"2:"A)(E:%*("&5()"&="&);1!"12"$%;1)12&%;1"'(%2$*1)&)"1="A&A1=" ?:1"C:1@&"1="*12;$%("1%"'&*&":%&"*1"12;&2"B$2;()$&2"*1"0$*&+"^&="12"1="'&2("*1" ,&@&=<"\&)&">"Y:&%"W)&%'$2'("U=2(+"U="1%2&>("*1"J=@&",&)<&"V(*)<@:1K"a(=:E-" ;)&K&":%"A&)&=1=("*1"=&"$%E&%'$&!"C:01%;:*!">";)&>1';()$&"*1"12;(2"&);$2;&2"1%" 2:2")12A1';$0(2"A&<212+"U==&"51.$'&%&">"-="':4&%(!"'(5A&);1%":%&"$%;1%2&" 0$*&">":%"5$25("'(5A)(5$2("A)(E12$(%&="@)&'$&2"&":%&"'&);&"?:1"A)(A$'$H" 2:"1%':1%;)(+"O=@("2151C&%;1"(':))$H"'(%"32$*()(">"Z:2&%&"[1@)1;1"?:$1%12"21" '(%('$1)(%"@)&'$&2"&":%&"*1"2:2"@)&%*12"A&2$(%12i"=&"5L2$'&+"#12*1"B&'1"97" &M(2!";&="'(5("$%*$'&"Y(B&%%&"F(%2:1=("g%@1="V1>12!"=(2"[1@)1;1!";)&4&C&%" '(*("&"'(*("'(%;)$4:>1%*("'(%"2:2"')1&'$(%12"E&%;D2;$'&2"&="*12&))(==("*1="&);1" A(A:=&)"51.$'&%(+" OA&);1"*1"=(2"1%2&>(2!"=&"&%;(=(@<&"$%'=:>1":%&"1%;)10$2;&"&",&)<&"Y(2-"*1" =&",&'())&">"&"U)$'"]-)1K">":%";12;$5(%$("*1",H%$'&",&>1)"2(4)1"2:")1=&'$H%" \1)5&",&>1)+"Z1@L%"21M&=&"F(5$2&)1%'(",$)I$%!"c=&2"*1'=&)&'$(%12"A1)2(%&=12" *1"12;(2"')1&*()12"'(%;15A()D%1(2!"%(2"A1)5$;1%"&'1)'&)%(2"&"&=@:%(2"*1"=(2" )1;(2">"'(%2;):''$(%12"2('$&=12"*1"=(2"*$2;$%;(2"@-%1)(2"1%"1=",-.$'("*1"B(>"2$%" =(2"N=;)(2"A)(A$(2"*1"=&"$%;1)A)1;&'$H%"&'&*-5$'&d+6 El aporte de estas nuevas 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collage" *1" &=@:%(2" *1" =(2" 5(51%;(2" 5D2" ;)&2'1%*1%;12" *1" =&" B$2;()$&" >" =&" A(=<;$'&"%&'$(%&=+"]()"(;)&"A&);1!"12;&2"B$2;()$&2"*1"&5()"%(2"$%0$;&%"&")1'())1)" 51%;&=51%;1":%&"&5A=$&"@&=1)<&"*1"=:@&)12"("2$;$(2"*(%*1"21"'(%('$1)(%!"21" )1:%$1)(%">"21"&5&)(%"=(2"A)(;&@(%$2;&2"*1"12;&"&%;(=(@<&!">")1&=$K&)":%&"=1'­ ;:)&";)&%2&;=D%;$'&"*1="$%;1)'&54$("&);<2;$'(">"':=;:)&="1%;)1",-.$'(!"=(2"U2;&*(2" /%$*(2">"U:)(A&"*1"=&"*-'&*&"*1"A(2@:1))&+" /%")1'(%('$*("A)(01)4$("*$'1i"c#1;)D2"*1":%"@)&%"B(54)1"21"12'(%*1":%&" @)&%"5:C1)d`"1%"'$1);&"5&%1)&!"12;&"E)&21"1%'$1))&":%&"*1"=&2"$*1&2"'1%;)&=12"*1" 12;1";1.;(!"A()"':&%;(!"1%"=&"5&>()<&"*1"=(2"1%2&>(2"21"':12;$(%&"=&"A1)'1A'$H%" tradicional que tiende a situar a la mujer artista en segundo plano en relación al  B(54)1+"F(%"1==(!"=&"&%;(=(@<&"'())(4()&"=&"(421)0&'$H%"*1"=&"')<;$'&"E15$%$2;&" 2(4)1"=&"%1'12$*&*"*1")110&=:&)"=&"$%;1)A)1;&'$H%"?:1"21"=1"B&"*&*("B&2;&"&B()&" 6    Ibid+!"A+"8S+ EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193. En-Claves14-book.indb 192 04/11/13 14:54 V121M&" 8T9 &"=&"5:C1)"'(5("A)(*:';()&">"')1&*()&"*1"':=;:)&!">"2:"A&);$'$A&'$H%"1%"1=")1@$2;)(" *1="*$2':)2("B$2;H)$'("%&'$(%&=+" \&"A:=2$H%"21.:&=!"1="&5()">"=&"&;)&''$H%"*1"=(2"(A:12;(2"2(%!"1%"'$1);("5(*(!" =(2"@1%1)&*()12"*1"1%1)@<&"')1&;$0&"?:1"2$)01%"*1"%1.("1%;)1"12;&2"B$2;()$&2"*1" 0$*&+"\("?:1"1=";&(<25("*1N%1"'(5("yin">"1="yan!"'(%'1A;("E:%*&51%;&*("1%"=&" dualidad"*1";(*("=("1.$2;1%;1"1%"1="universo+"U="yin"'(5("1="A)$%'$A$("E151%$%(!" =&" ;$1))&!" =&" (2':)$*&*!" =&" A&2$0$*&*" >" =&" &42()'$H%+" U=" yang  como  el  principio  5&2':=$%(!"1="'$1=(!"=&"=:K!"=&"&';$0$*&*">"=&"A1%1;)&'$H%+"Z1@L%"12;&"$*1&!"'&*&" 21)!"(4C1;("("A1%2&5$1%;("A(211":%"'(5A=151%;("*1="?:1"*1A1%*1"A&)&"2:" 1.$2;1%'$&" >" ?:1" &" 2:" 01K" 1.$2;1" *1%;)(" *1" 2<" 5$25(+" #$'B&" G:$*1K" *1N%1" =&"E:1)K&"')1&*()&"?:1"2:)@1"%("2H=("*1"=&"%1'12$*&*"*1";)&2'1%*1%'$&">"*1" 1.A)12$H%"*1="21)"B:5&%(!"2$%(";&54$-%"*1"=&"%1'12$*&*"*1"&5&)">"21)"&5&*(!" *1"21)":%("2$1%*("*(2!"4:2'D%*(21"1"$%;1)A)1;D%*(21"&"2<"5$25("1%"=&"5$)&*&"*1=" (;)(!"*12*1"*(%*1"12"E&';$4=1"124(K&)":%&"$*1%;$*&*"A)(A$&">"&";)&0-2"*1"-2;&!" =&"$*1%;$*&*"*1":%&"%&'$H%+" MARÍA CLAUDIA ANDRÉ* W1'B&"*1")1'1A'$H%i"98k7Sk6786 W1'B&"*1"&'1A;&'$H%i"88k7Tk6786 * " O'&*-5$'&" *1=" #1A&);&51%;(" *1" \1%@:&2" ,(*1)%&2" 1%" h(A1" F(==1@1!" ,$'B$@&%!" U/O!" l&%*)1mB(A1+1*:n+ EN­CLAVES del pensamiento, año VII, núm. 14, julio­diciembre 2013, pp. 189­193. En-Claves14-book.indb 193 04/11/13 14:54